Aime Jules Dalou bronze sculpture

Bronze golfer sculpture Gentelman Golfer bronze material with brown patina Very good general condition Natural wear and tear over time Attributed P. Van...

Bronze cubist sculpture Penguin Motif Art deco style Circa 1940 Origin France No signature. Attributed to J.Martel Piece rat. Has some wear It has a small dent on its beak. marble ...

Victor Demanet Bronze Sculpture Working technique in (lost wax bronze) Signed and sealed at the top Paris b-L ON ITS BASE Origin France Circa 1930 Excellent condition The color of it...

Seal sculpture in bronze, circa 20th century Origin France illegible signature signed in the bronze back perfect condition with natural wear.

Bronze sculpture motive Fisherman Origin Italy 20th century circa 1900 partina brown unsigned- natural wear lost wax technique. Art nouveau, modernist art or modernism was an interna...

Bronze sculpture soldier in armor Onix base origin France circa 1900 natural wear Very good condition the measurements are with its base.

French bronze sculpture bust of a man by Aimé-Jules Dalou French, 1888 Measures: height 49cm, width 20cm, depth 21cm This fine patinated bronze bust b...

AIMÉ-JULES DALOU French, 1838-1902 A Sleeping Woman Patinated lost-wax cast bronze signed "DALOU" to base, inscribed "Susse Fres Edrs PARIS" and "cire p...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

The bust resting on a red marble waisted socle, inscibed to the reverse 'DALOU 1888'. Aimé Jules Dalou (French, 1838-1902) trained at the Petite E...

Patinated bronze figure of Ariadne after Aime Millet (French, 1819-1891), mounted on circular base of carved slate stone.

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...